Millôr definitivo: a Bíblia do caos
Best single-volume overview of Millôr Fernandes's aphorisms, observations, and satirical worldview.
Author guide
Millôr Fernandes (1923–2012), born Milton Viola Fernandes in Rio de Janeiro, was one of Brazil’s leading satirists and multidisciplinary writers. He worked in journalism and humor magazines from adolescence, contributing to publications including O Cruzeiro, O Pasquim, Veja, and Jornal do Brasil. His books range from fables, aphorisms, essays, memoir-like chronicles, and political humor to poetry, children’s literature, graphic art, and drama. He also translated and adapted numerous major theatrical works into Brazilian Portuguese. Early books appeared under the pseudonyms Adão Júnior and Emmanuel Vão Gôgo. His dramatic collaborations included Liberdade, liberdade with Flávio Rangel and Humor nos tempos do Collor with Luis Fernando Veríssimo and Jô Soares.
Catalog record updated .
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Best single-volume overview of Millôr Fernandes's aphorisms, observations, and satirical worldview.
Natural entry point for his original drama and early theatrical writing.
A broad autobiographical and retrospective introduction to his prose and humor.
Read in order
book-series · completed
A collection of Millôr Fernandes's original theatrical works published in book form, including plays and theatrical texts issued by Civilização Brasileira, L&PM, and related publishers.
Book 1 · theater-collection · 1957
Book 2 · play · 1962
Book 3 · play · 1965
Book 4 · play · 1972
Book 5 · play · 1977
Book 6 · play · 1978
Book 7 · play · 1979
Book 8 · play · 1979
Book 9 · play · 1982
Book 10 · play · 1982
Book 11 · coauthored-play · 2006
Book 12 · play · 2008
Antes de o mundo ser mundo, antes de o homem existir, na era do vazio infinito, o nada reinava absoluto. Depois ouviu-se um bang, um Big-bang, e a vida surgiu, frágil e indefesa. E o que veio depois? Para Millôr Fernandes, veio o Kaos.…
Book 13 · play · 2009
Outside the series
memoir · 1972
graphic-memoir · 2008
memoir · 2011
history-and-humor · 2014
philosophy-and-humor · 2016
essay-collection · 1977
essay · 2002
essay-collection · 2004
children's-literature · 2004
children's-literature · 2007
children's-poetry · 2008
children's-poetry · 2015
poetry · 1967
poetry · 1968
poetry · 1975
poetry · 1984
literary-anthology · 1980
coauthored-humor · 1992
prose · 1946
prose · 1949
prose · 1963
fables · 1964
prose · 1972
aphorisms · 1973
humor · 1975
prose · 1976
aphorisms · 1977
fables · 1978
political-humor · 1978
prose · 1981
graphic-work · 1981
political-humor · 1985
prose · 1987
political-humor · 1988
political-humor · 1988
prose · 1988
aphorisms · 1994
fables · 2003
fables · 2007
graphic-work · 2010
graphic-work · 2014
graphic-work · 2016
Millôr Fernandes was the professional name of Milton Viola Fernandes, a Brazilian writer, cartoonist, journalist, playwright, translator, and humorist. He became known for combining visual art, wordplay, and social satire.
Sources: educacao.uol.com.br (opens in a new tab)dicionariodetradutores.ufsc.br (opens in a new tab)
He was born in Rio de Janeiro on August 16, 1923, but his birth was officially registered as May 27, 1924. The discrepancy arose from the late registration and the handwritten record of his name and date.
He entered the magazine O Cruzeiro at about age 14 and developed a long career in journalism, cartooning, theater, television, and literary translation. He later became associated with publications including O Pasquim, IstoÉ, Veja, and Jornal do Brasil.
Sources: educacao.uol.com.br (opens in a new tab)dicionariodetradutores.ufsc.br (opens in a new tab)
Among his honors were prizes for caricature, theater, and humor, including recognition at the Buenos Aires International Caricature Exhibition, the Canadian Humor Salon, and the Associação Paulista de Críticos de Arte. In 2005, he also received an Academia Brasileira de Letras award for the editorial project of Abecedário do Millôr para crianças.
He is remembered as a major multidisciplinary figure in Brazilian humor and graphic satire whose work connected journalism, literature, theater, and drawing. The Instituto Moreira Salles preserves his personal archive and approximately 7,500 drawings, helping sustain his cultural legacy.
Sources: ims.com.br (opens in a new tab)dicionariodetradutores.ufsc.br (opens in a new tab)